Statement


a a a a a a a a absurd absurdity accompanying acknowledging across act acting adopting aesthetic alternative alternative am amateur ambiguous an and and and and and and and and and and and and and and and and and and and and approaches approaches approaches are are are art art artefacts arts artworks as as as as as as attitude attitudes attitudes be be become begin belief break bring but by by by by by by can can can can capitalism capitalism certain characteristics collaboratively collectively combine comedy commoditys commonalities competence competences constructions context contingency convention create critically critically cultural cultural dead developed development develops discursive dismissed disparate do do draw ecological economic encompass ends engage engages engaging error-ridden errors evaluate events example example existing expectations expected explore factors fail feature find for for for for for frequently fully goal guide guides have have historical how how how how however i i i ideas impasse in in in in in in in in include incorporated increasingly indeterminate individual interest interested invited is is is is it key key large-scale late late making material material may may mean mean means means methods methods might might misusing more most motivation music music my my my my navigating new non-conformist non-conformist not not now objects obsolescence of of of of of of of of of often often often often open open-endedness opposing or or or or other our perform performative perpetuate pitches pivots play point point political potential potentially practice practice practices predictable prevailing prevailing problem problems produce producers producing professionalism project projects projects projects projects publications publicity purposeless radical rather ray recently reconstructions recordings re-gestures referring reintroducing respond respond result sales sculptural seeking seeming seemingly seen selling shaped shaped share shared simply so social sound spaces spaces spaces specific specific starting statement strategies subverting such such technological technologies than than that that that that that that that the the the the the the the the the the these these these these they thinking this this this this this through to to to to to to to to to to to to to together transgressive transgressive transgressive typically ubiquitous understand understood undoing unexpected unexpected unique unwanted up upon use used used used value video ways ways ways we we which which wider will will with with with with with with work work work work work working works

Darren Ray & Andy Webster at OSR Project Space.

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Drumming through E.C.O.C.R.I.S.I.S (Wild pigs version)

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Andy works individually and collaboratively across sculpture, performance, moving image, and sound. Recent collaborative work has explored sculptural reconstructions as a means of re-examining specific historical, cultural and fictional events. He is currently making sound and light works that utilise live audio feeds, recordings of his own voice, and samples from 70's comedy routines, death metal growls and VLF radio phenomena.

Using Format